A Peacock Feathers Necklace

by Janie on 09/05/2011

Kathy's Peacock Feathers Necklace

Last week Kathy from North Carolina sent me a picture of her stitched Peacock Feathers design which she has finished as a necklace. What a brilliant idea!

Kathy obviously loves a challenge, as she writes:

“It is stitched on 28 ct pearl linen over 1 with Gloriana’s Tropical Seas silk floss. I made it into a tiny one inch biscornu which I can wear on a chain. I am going to follow it with another tiny biscornu with the new High Tea chart next month. I am doing one of these tiny biscornu a month this year. It’s been fun, if a bit eye-boggling!”

Eye-boggling indeed Kathy! But doesn’t it look fabulous? Can’t wait to see the High Tea chart stitched up next month.

Thank you so much for sharing your stitching with me. After stitching my High Tea design on 40 count last month I’m a bit inspired to have a go at more miniatures myself!

Anyone else out there stitching on very small counts? I’d love to see what you have done.

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A Cautionary Tale

by Janie on 25/04/2011

While I was proving the patterns for the mouse and the box for my new release ‘A Mouse In Old Amsterdam’ I discovered something  you shouldn’t do when making bookcloth!

Never, ever, use black tissue paper (and I suspect any other colour) as a substitute for white tissue paper just because you are too lazy to walk up to the shop to buy some!

Everything was fine until I started to glue the outside side wrap onto the box I had made. The black dye and the glue got on famously – so famously that they decided to ooze through the fabric in parts, and out of the main join! If I had used white tissue paper the oozing glue could have been quickly wiped up with a damp cloth, and the fabric would have just dried without any obvious problems.


Black dye and glue are an entirely different story! I started to wipe the join ooze, which just made the problem worse.  So I decided to cut my losses and let the glue dry and work out a ‘fix’ later. I also decided to go and get some white tissue paper and redo the bookcloth for the lining pieces.

So … as I believe there is nearly always a fix to every stitching and gluing misadventure I set out solving the black glue problem.

I let the pattern on the fabric talk to me. I rummaged around my studio and found buttons and ric rac braid and gold safety pins. And I covered up the black glue, and then added a few more buttons and ric rac to balance out the overall look.

I’m very pleased with the result. Myrtle the model mouse for my construction pics in the ‘A Mouse In Old Amsterdam’ pattern, is happy too.

Have you had disasters which have turned out to be successes once you had applied a bit of ‘left-brain thinking’?

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Travels with my Stitching

by Janie on 04/04/2011

I don’t know about you, but when I travel I have to take some form of stitching along with me.

Now, if I’m travelling by car, it means I can take as many accessories, lights, magnifying glasses and several projects to choose from as there is always room for ‘just one more thing’ in the back of the car.

However, most of my travelling these days requires me to get onto a ‘plane. And that means I have to be judicious about the number of projects, accessories and stitching aids I can realistically fit into my suitcase. It also means that if I want to stitch on the ‘plane I have to be able to get through the airport security screening without having to hand over various items deemed ‘hazardous’ by the security personnel, and have a small, but successful stitching ‘kit’ which works in the confined space of the ‘plane seat.

So I have devised a very simple, but successful stitching kit which I take with me on my travels. It works very well on a ‘plane flight. It also works very well in a classroom situation where you are restricted for space. It also means that you don’t have to lug heavy lights around with you in your suitcase, and worry about transformers etc when travelling to a stitching class in a foreign country.

I had some specific requirements when I built my kit. It had to be able to be tucked into my carry-on luggage (which is a laptop computer bag – so quite restrictive). It had to be light (obviously), reasonably quick and easy to assemble once on the ‘plane, and able to be collapsed flat and stored on my lap under my tray table, when breakfast/lunch/dinner was served.

So … here is my tried and tested kit – a jumping off point for a kit of your own which you can personalise to make it work for you and your travel requirements.



JHD Travel Kit Components



1. Container
The container needs to be made of rigid plastic to support the magnifying light and deep enough to cope with the jaws of the magnifying light clamp. The one I use holds an A4 size chart and is about 2.5cm or 1″ deep. I found these boxes in Officeworks in the document storage and presentation aisle.  I use these boxes all time to keep my various stitching projects safe as they stack on shelves easily and I can see what’s in them at a glance.

2. Thread Storage Pocket
Now, we all have our favourite ways of thread storage. But this is something else! I found this at Needle Nydle Noo and it’s made by Ristal Threads. You cut your threads into approximately 60cm lengths and pull them through the little pocket ridges. The threads are kept clean, straight and all together and there’s room to put the thread number tags for identification, all very useful considerations when your space is restricted. This particular storage system allows you to pull through only as many ply of a particular colour thread you need at any one time. There is room for 16 different threads in one sleeve.

3. Nail Clippers
The Australian airport security checkers are still very strict about scissors, even embroidery scissors. I have given up arguing with them about points on scissors and have decided that a nice new pair of nail clippers is the way to go. They are sharp, and enable you to cut the threads close to the fabric, which means no messy dangly ends to catch into your work by mistake. They also breeze through the security checks without any hassle at all!

I thread my clippers onto a length of ribbon, which when tied into a loop allows me to wear them around my neck. This stops them from falling down onto the floor of the ‘plane.

4. Thimble & Hoop
I can’t stitch without a thimble. It’s a bit like I can’t think without my glasses on … but that’s just a personal quirk and you don’t have to have a thimble unless, like me, it’s a given that you wear one when you stitch. I need a hoop for speciality stitches, but don’t take one if I am just doing cross stitch. Again, a personal preference thing.

5. Flexible Neck Magnifying Light
Some of you with younger and stronger eyes than mine might just need a clip on light, but I need a magnifying light. This one runs on 3 AAA batteries and lasts forever. And just in case forever is up and your batteries run out – this type of battery can be bought all around the world, and is a type that most airport newsagencies carry.

The gooseneck allows you to position the rimless magnifying glass in just the right position, and the LED light is cool, and perfect for stitching in a dimly lit plane.  In Australia you can buy these here. There are other sorts of flexible necked magnifying glasses and lights – your local needlework shop will probably have some to choose from. Just make sure that you choose on of the clamp variety, and that it will clamp onto your container.

OK – so how does this all work for me?

Packing
I prepare my fabric, and ensure that I have at least four embroidery needles of the correct size tucked into a corner of the fabric if I don’t have room in my container for a  needlebook. I thread my plastic sleeve with the project threads. Then I pack the project chart, fabric, thread pocket, nail clippers, thimble and hoop into the project container. I pop it and my magnifying lamp into one side of my laptop bag and I’m good to go.

On The ‘Plane
I get my magnifying light and container out of my laptop bag. I unpack the container and close it. I use the clip that keeps my tray table secure against the back of the chair in front of me to hold my chart up.  I put my nail clipper ribbon around my neck and put on my thimble. I select my first threads, and then fold the thread pocket in half and place under the container which is on my lap.

The container then becomes a mini lap table. I clamp my magnifying lamp onto one side of the container, turn on the light, thread my needle and I’m ready for several hours of stitching.

When a meal arrives, I quickly fold everything up, pop the fabric into the container for safekeeping, lay the magnifying glass and chart down on my lap over the container, undo the tray table and eat my meal.

When it’s time to land, I just pack everything back into the container, and slide it, and my lamp, into my laptop bag.

I hope this has helped you think about how to set up your own travel kit. As I was typing this I thought it was probably something I could make up and sell here on the website. Are you happy to make up your own kit? Or would it help if it was something that you could purchase already assembled? Leave your thoughts below.

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The Right Side of The Linen

by Janie on 14/03/2011

Have you ever wondered which side of a piece of linen is the right side? Whilst sitting around a table a week ago with lots of lovely ladies all stitching on linen, someone asked this question.

Right Side of Linen

If you have a selvedge edge on on your piece of linen, this is quite and easy task. The ‘untidy’ side of the selvedge indicates the right side of the fabric. Firstly, look at the little pin holes down the selvedge. Does it look as though the holes have been pushed from behind? And can you see the rough frayed ends of the weft threads (those threads running from left to right on the linen) where the selvedge edge meets the body of the fabric? Then you are looking at the ‘right side’ of the linen piece. Turn the piece of fabric over. The selvedge edge looks much ‘neater’ doesn’t it. This is the back or ‘wrong side of the linen’.

If you don’t have a selvedge on your piece of linen things get difficult. In fact because this is a woven fabric, it becomes more of a matter of personal preference as to which side is the ‘right side’. Look carefully at both sides. Fold one corner over onto the rest of the fabric piece. Which side do you like better? Go with the side you like the best and make it the ‘right side’.




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Needlework Shops Magic!

by Janie on 07/03/2011

I would like to welcome Thea Dueck of The Victoria Sampler who is my guest blogger today.

Thanks, Janie, for your kind invitation to write a little something as a guest designer! I have always admired your ability to encourage teamwork and in this new endeavour, you are again showing your love of creative people working together. It’s lovely for you to invite other designers to contribute to your new needlework blog.  In the needlework world, designers are in a good position to lead by example, enjoying each other’s good fortune and supporting each other through our challenges.

As needlework designers we have so much in common; our love of the endless variety of beautiful things created with needle and thread, a feeling of empowerment as we learn to manage our businesses, and our contribution of our talents and hard work for the joy of our stitchers.  We each have our different styles and interpret our creativity in different ways, but overall, we agree that nothing beats embroidering our visions in silky threads on linen or canvas.

I came by needlework designing almost by chance. As a young stay-at-home mom, I set my daughters up with various crafts every afternoon before dinner and we tried many different media; playdoh, crayons, glue and macaroni, watercolours, tole painting, knitting, crafting, felting, sewing and always drawing.  The three of us bonded deeply over our feminine fun, but I didn’t feel drawn to any one thing.  However, one day my sister in law asked me to come with her to a new needlework shop in Vancouver. I was on the car ferry early in the morning, ready to enjoy a relaxing day’s outing away from home, but when we arrived at the shop in the afternoon, I still really didn’t know what I was in for.  As we entered, and the little bell on the door rang, my mouth dropped open in amazement.

Dozens of gorgeous stitched and framed models hung on the walls and enticing materials to make them were displayed in beautiful vignettes on tables.  I had never seen a shop for only needlework before, and I was dumbfounded. What a wonderful afternoon we spent there.. like the proverbial kids in a candy shop. Now, I know many of you probably remember your first kiss, or your first vacation away from home, but I sharply remember the joy of that first afternoon surrounded by colourful silks and cottons, and a whole world of beautiful designs to be stitched.

For many years I stitched some beautiful designs, adjusting and tinkering with them to suit my mood or the occasion. I suppose it was only a matter of time that my needlework addiction led to designing, although each step was challenging and took a lot of work and time to develop. However, throughout my needlework designing career, my heart still lifts in anticipation when I spread my silks around me and my hearts still lifts as hear the faint tinkle of the little bell on the door of that glorious needlework shop full of treasures.

- Thea Dueck
Check my website autobiography in “About VS” at www.victoriasampler.com


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Hard Bounce = Off The List

by Janie on 04/03/2011

Oh dear! I’ve just discovered that my March newsletter notification email has bounced back from some people’s email addresses.

I use Mail Chimp to send out emails to my newsletter list, and they have very strong policies about bouncing email addresses. If an email ‘hard bounces’ it is automatically, no questions asked, taken off the list! Immediately!

If you thought you’d signed up this month, but didn’t get any notification about my March newsletter in your inbox, perhaps your email address ‘hard bounced’ back at Mail Chimp. This means that for some reason your server is rejecting emails from me. If you think this has happened please sign up again, and then ensure that my email address is on your ‘white list’ so that your server doesn’t spit me out again LOL

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Cioccolato!

by Janie on 17/02/2011

Do you love chocolate almost as much as you love stitching? I do!

Blending chocolate and stitching into one design is my idea of heaven on earth … and I’ve done it!

Cioccolato! (chokolart-ho) is the project I have designed for the upcoming Needle Ny-dle Noo stitching holiday in April, 2011.

The annual weekend holiday is held at Nathaniel’s Rest, a wonderful purpose-built retreat in Mundaring, in the Perth Hills.

We have room for 10 people to sleep over, and 10 more people to attend as day students.

We have a wonderful time at these retreats! I do hope you can join me, and our hostess Ros from Needle Ny-dle Noo!

For more information click on the picture above!


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2011 Bookmark Challenge

by Jen on 14/02/2011

Helloooooo, Australia! Greetings from the great white north where the temperature is below freezing and we can all walk on water—lake water, that is. I’m Jen Funk Weber from Funk & Weber Designs, and Janie is kindly letting me e-talk to you about the Needle and Thread: Stitching for Literacy 2011 Bookmark Challenge, March 17 – April 28.

The Stitching for Literacy program seeks to promote literacy and embroidery. During the annual Bookmark Challenge, stitchers craft hand-embroidered bookmarks and donate them to libraries and schools where they are used as reading incentives and rewards.

Jen Funk Weber, hand-embroidered bookmarks

My own hand-embroidered bookmarks. Several of these finishing methods are taught in our Bookmarks 101: Simple, Smart, and Swanky Finishes online class.

Anyone anywhere can participate. Independent needlework shops, guilds, stitching groups, and individuals organize bookmark collections and arrange donations to local libraries and schools. We’ve had a number of Extreme Stitchers make dozens of bookmarks all by themselves to support a library program or an entire classroom. How great is that?

Here’s one way the program works: Say a group stitches and collects twenty bookmarks. They arrange to donate them to the local public library. The library hosts a reading event: it might be for Children’s Book Week, or a summer reading program, or something else. The bookmarks become prizes kids can win. Maybe each child earns one by completing the program; maybe completing the program earns an entry into a drawing for a bookmark. We encourage kids to read by offering them prizes, and we introduce them to the wonderful world of hand embroidery at the same time. What a deal!

Funk & Weber Designs, Read Ambigram bookmark

The Funk & Weber Designs Read Ambigram bookmark pattern. It looks the same right-side-up and up-side-down.

Other Stitching for Literacy events include:

  • bookmark displays at libraries
  • outreach programs that teach kids and adults to stitch
  • bookmark stitch-ins
  • bookmark collections and exchanges
  • read-and-stitch clubs

But wait! There’s more. Various designers publish bookmark patterns for the Stitching for Literacy program. In doing so, they commit to donating at least 10% of profits to literacy programs. Now you can support literacy–with both a monetary contribution and a bookmark contribution–while treating yourself to great new bookmark designs.

Janie’s already got her bookmark pattern available in the Emporium here, and I’m very excited to say that Funk & Weber Designs is introducing a new bookmark pattern today, right here, right now. Woot!

Drum roll, please.

Introducing Monkey Read, Monkey Do.

Funk & Weber Designs - Monkey Read, Monkey Do bookmark pattern

Reading is more fun than a barrel of monkeys, and so is stitching this bookmark!

Because today is Valentine’s Day, we want to share some stitchy love, so for one day only (okay, more like two days since you Aussies are practically a day ahead of us Alaskans), we’re offering a 25% hot-off-the-press…wait, it’s not off the press; it’s a pdf download…make that a one-day-only 25% hot-off-the-website Valentine’s Stitchy Love Sale. How’s that for a catchy name? Hmm.

Oh, well. You get the idea: 25% off, one day, Valentine’s Day.

Janie’s all set to help get the ball rolling in the southern hemisphere, so I hope you’ll join us for the 2011 Bookmark Challenge. Come on over to the Stitching for Literacy website to learn more about what’s going on and how you can join the fun. Send us pictures of bookmarks you stitch, and give us a shout when you initiate a Stitching for Literacy event in your area.

Happy reading and stitching!

P.S. I’ll explain The Story Behind the Stitchery tomorrow on the Funk & Weber World blog.

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Things to Hang or Things to Sit

by Janie on 07/02/2011

I need your input dear reader.

What do you like to stitch? Things to hang on your walls, or things to sit on shelves/sideboards/tops of things? Or perhaps a little of both?

The reason I ask is that I’m running out of wall space here at my house, and am wondering if the same is happening at your house too?

I am being organised this year. Yes, go on … laugh at me! But I AM trying to get a bit better organised than last year – and this involves writing a list of projects I’d like to design for you this year. And as the list gets longer I look and I see that I’ve written down a whole lot of ideas which involve the finished project sitting on something rather than hanging on a wall.

Do I need to think of some more ‘hanging on the wall projects’, or do I need to think of some projects that might do both? In other words, should a design work as a ‘sitting on something’ or, with slight modification, also hang on a wall?

And you all know my enchantment with boxes and stitching. Do you like boxes with stitching as well?

OK – this is your chance to tell me what you’d like for 2011 – fire away! All suggestions will be considered, mulled over and looked at very carefully. Can’t guarantee I’ll do them all – but if I like the idea it might just happen!



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Studio Tour Anyone?

by Janie on 27/01/2011

Well, a virtual one anyway!

Do you like to see where people work/rest/play/dream/design/concoct/plot/create? I do – but then I’ve always been a bit of a nosey-parker when it comes to other people’s studios. I love studios. I love the fact that whatever size and wherever they are situated they are amazing hubs of creativity and full of wonderful raw materials for making works of art!

I have just joined the Needle and ThREAD Stitching for Literacy website blogging team with Jen Funk Weber – I’ll be blogging every Wednesday over there. And, for my first blogging session I thought I’d show everyone around my studio. So … if you are interested why not head over there now!

And once you’ve done the guided tour, why not have a look around the site – there’s heaps of wonderful stuff there! Oh, and why not join the bookclub – great books planned for this year.

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